There is an old expression used among artists at Lucasfilm: “To make Star Wars, you have to hate Star Wars.” Yes maybe Dislikes a bit extreme (Thank you Yoda). But it’s clear that contemporary filmmakers need to be concerned and unhappy with the ways this 43-year-old series has explored its galactic size potential so far if they are to continue to grow and satisfy audiences in the long run.
We have noticed the strange feeling and anxiety of Fan service that pervaded boba fett bookAnd the Blow her conspiracy off course until she basically became The Mandalorian season 2.5. Obi-Wan Kenobi It offered a tighter, better, and more meaningful story — but given the cast and timeline, it often felt like another prequel to the road. Revenge of the Sith 2.0 Not exactly a Star Wars flagship.
Now here comes the new Disney + Star Wars series, Andor. Technically, it’s also an introduction. It tells the dramatic story of Cassian Andor (Diego Luna) from rogue one – A spy, haunted by his past actions, who helps Jyn Erso steal the Death Star’s plans. But here’s what Diego Luna wants you to know: This isn’t Rogue Zero Point Five.
Starting five years ago rogue one And ending just before him, the sprawling 24 episodes of Andor (split over two seasons) represents a fresh mix of Star Wars, something we’ve never seen before. rogue one is a sign for Andor; It’s not the area.
“From the moment [writer-director Tony Gilroy and team] She offered me the idea, I was fascinated by it — it sounded really smart,” says Luna, who is also an executive producer on the project that took four long, hard years filled with the COVID virus to bring it to life.
Luna adds that giving so much space to a single character’s story we’ve seen die anonymously, with no Jedi or Skywalkers in sight, “just fires creativity in a different way” — allowing for more mature and more satisfying themes for many.
“It’s different,” Luna insists. “It’s supposed to be different. I mean, it should deliver the action-adventure that you’ve always come to expect from Star Wars. But at the same time, it can be more ferocious. It can be more of a thriller. It can be very political, and it’s character driven, it’s dark.” We can allow ourselves to go there, you know?”
As our reviewer noted, Andor Takes some time to move in the first two episodes. There are plenty of scenes from two phases of Cassian’s life: his childhood in an aboriginal tribe in a beautiful home world rudely interrupted by the Empire, and his early adulthood, as an assassin in the primal rebellious underground, searching for one of his former classmates.
But stick with it. This is a build for something big. Before the end of Episode 3, these two lines will come together in a satisfying way to illustrate a theme from Cassian’s life so far: he continues to be drawn, almost by accident, into the depths of the galactic vortex. (One includes another great reason to watch Andor: Stellan Skarsgård.)
“Why did he have the energy of someone migrating like a refugee?”
“Casian is a person who was forced to leave,” says Luna. “in rogue oneYou know, nobody has their accent [Luna’s own]. He feels part of a team, but it’s clearly different. From where he came? What did he have to leave behind? Why did he have the energy of someone migrating like a refugee? Someone is fighting because something has been taken away from him: this is the thing that moves Cassian.”
The Star Wars series takes its time and talks about the refugee experience of anger, frustration, and loss: this is certainly something new and timely in the galaxy. Somewhere, you can imagine old Lucasfilm artists—and perhaps the ghost of Yoda, who openly encouraged the next generation of Star Wars to transcend—nodding in approval.